Archive for the ‘Grammys’ Category

FREE L.A.: The Grammy Museum Goes Hawaiian

February 3, 2009

Hawaiian Eye/Aloha Friday Radio may be long gone, but the vibrant Hawaiian music scene lives on. This Friday, L.A. Live’s Grammy Museum is offering a free program featuring this year’s Grammy nominees in the Hawaiian category.

“Hawai’i Goes Grammy: A Tribute to Hawaiian Music” takes place this Friday, Feb. 6 at 8 p.m. Not only will the event give you an opportunity to check out the museum — which we gave a good review back in December — but you’ll also get what promises to be a good show. Details:

Celebrate the rich cultural heritage of Hawaiian music with The GRAMMY Museum! Join us as 2009 GRAMMY Nominees in the Hawaiian Music category perform on our GRAMMY Sound Stage. Program will also include an onstage interview and musical history lesson with Chief Curator Ken Viste. Admission is free to the public. Museum members receive priority admission. Doors open at 7:30 pm. To reserve tickets, call 213.765.6830 or e-mail programs@grammymuseum.org.

This year’s nominees — yet another group heavy on the slack key guitar, shutting out other subgenres — include “Ikena” by Tia Carrere & Daniel Ho; “Aumakua” by Amy Hanaiali’i; “Force of Nature” by Led Kaapana & Mike Kaawa; “Hawaiian Slack Key Kings Masters Series, Vol. II,” compiled by Chris Lau and Milton Lau; and “The Spirit of Hawaiian Slack Key Guitar,” compiled by Daniel Ho, George Kahumoku Jr., Dennis Kamakahi, Paul Konwiser and Wayne Wong.

First Look at the Grammy Museum

December 4, 2008


Inside the new Grammy Museum. Pic via the LATimes.

I had the opportunity to attend Wednesday night’s Grammy Nominations concert/TV special at the Nokia Theatre (a bland venue I still don’t like).. the Foo Fighters singing “You’re So Vain,” cool; Celine Dion singing “At Seventeen,” er, not so much.

The concert, telecast for an hour live on CBS, was the Recording Academy’s attempt to inject some excitement into the usual award nomination announcement. The show wasn’t too bad (the exceptions being Dion and Taylor Swift — I don’t get, she’d be voted off “American Idol” after a few rounds) — especially when the Foos’ Dave Grohl ironically announced the country duos category.

Also, from the audience, watching groups of pre-teens attempt to walk up to the Jonas Brothers — only to be denied by security — was amusing (that look of frustration on those girls’ faces — ‘We’re so close, yet so far away!!’ — was especially great).

After the broadcast, John Mayer stuck around to perform an hour-long acoustic set, offering up his usual easy-to-swallow-but-not-too-interesting brand of guitar pop. Mayer took the opportunity to blast the tabloid attention to his personal life — name checking his pals at TMZ. (Nope, didn’t see Jennifer Aniston anywhere.)


(Flickr pic by Intellichick.)

MEANWHILE, the highlight of the evening was afterward, when I got a chance to check out the new Grammy Museum at LA Live.

Rather than offering up a static collection of music memorabilia and Grammy statues, the museum offers up 21st century-style interactivity. In this post’s top pic, you can see one of the highlights: A touch screen that allows you to search through an entire history of virtually every music genre at your finger tips.


(Flickr pic by Intellichick.)

Plenty of other stations include lessons on how to remix from Paul Oakenfold; how to sing, from Jimmy Jam and Terry Lewis; how to rap, with Jermaine Dupri; and creating beats with DJ Rap. There are several video displays devoted to things such as regional music; great Grammy performances; and more.


(Flickr pic by Intellichick.)

On the downside, sponsorship is everywhere — logos from Target to JBL sprinkle the displays.

But on the bright side, there are plenty of cool pieces of memorabilia to see as well. One letter, from Elvis to a fan (sent right before he became famous)in 1955 reads:

“I don’t love you and I doubt if I ever could, so please let’s be friends and drop it there… P.S. If you write again, please send me a picture for my scrapbook.”

Other items seen: Slick Rick’s eyepatch; the handwritten album notes (by Tupac himself) for Tupac Shakur’s “2pacalypse Now”; a 1957 letter from Buddy Holly to his mother (in which he notes that they were the only white act at a recent Washington D.C. show); a Guns n’ Roses bass drum head from Matt Sorum; Billie Holliday’s costume jewelry; Buddy Rich’s drum sticks; a telegram to a promoter from Count Basie; the Presley Family bible; and one of B.B. King’s suits.

Also: A sparkly dress from Celia Cruz; a 1964 concert program signed by Bob Dylan; the handwritten lyrics (by Eminem) to “Stan”; Louie Armstrong’s neck tie; Glenn Miller’s trombone; a 1966 bass owned by Jimi Hendrix; and a 1978 Davis clavitar (those cool, 80s-style keyboard guitars) from Herbie Hancock.

I’m no fan of how L.A. Live looks, but I’d say the Grammy Museum exceeded expectations. It’s worth a visit, especially with visitors from out of town. And it’s not a big time drain; the museum, which is spread over 4 floors, can probably be fully appreciated in 90 minutes. Tix are $14.95 for adults; $10.95 for kids 6-17.

Crappy Cell Phone Pics From the Grammys

February 11, 2008

Maria and I threw on some acceptable duds and headed down to the Staples Center on Sunday evening (sans Blogger Toddler — sorry, BT) to catch the 50th Annual Grammy Awards.

Our seats were strong: Third row up from the floor, in the center of the audience… which meant we got to see celebs and performers walking up and down the aisle in front of us. As has become a Franklin Avenue tradition, I now present.. horrible camera phone shots from the Grammys. (And by the way, these are the good ones. I had to toss most of ‘em.)


Coolest outfit of the night: Some guy decided to wear a jacket with a roster of his favorite pop divas.


The Grammy stage.


Robert Plant’s hair.


Will.i.am gives a hip-hop tribute to the Grammys.


Tom Hanks throws on his glasses and signs a few Grammy programs for people in the front row of our section.


Maria with her former Rhino co-worker Masaki Koike, who won a Grammy yesterday in the Best Boxed or Special Limited Edition Package category (that’s the one Maria was nominated in last year) for “What It Is! Funky Soul And Rare Grooves (1967-1977).” Congrats, Masaki!

Highlights from the show: Seeing Tina Turner still strut her stuff, with Beyonce, was very cool. Kayne West’s tribute to his mother elicited a few tears from Maria. Amy Winehouse was great… but live via satellite, so the electricity wasn’t felt in the room. Alicia Keys is a natural. Morris Day from The Time hasn’t aged a bit; would have loved to have seen more of their reunion. I was hoping for more from the Cirque du Soleil/”Across the Universe” Beatles tribute. That Herbie Hancock-led orchestral performance of “Rhapsody in Blue” sounded great in the Staples Center… too bad that song will forever remind me of United Airlines. And Jason Bateman is a fantastic ad-libber.

Crappy Cell Phone Pics From the Grammys

February 11, 2008

Maria and I threw on some acceptable duds and headed down to the Staples Center on Sunday evening (sans Blogger Toddler — sorry, BT) to catch the 50th Annual Grammy Awards.

Our seats were strong: Third row up from the floor, in the center of the audience… which meant we got to see celebs and performers walking up and down the aisle in front of us. As has become a Franklin Avenue tradition, I now present.. horrible camera phone shots from the Grammys. (And by the way, these are the good ones. I had to toss most of ‘em.)


Coolest outfit of the night: Some guy decided to wear a jacket with a roster of his favorite pop divas.


The Grammy stage.


Robert Plant’s hair.


Will.i.am gives a hip-hop tribute to the Grammys.


Tom Hanks throws on his glasses and signs a few Grammy programs for people in the front row of our section.


Maria with her former Rhino co-worker Masaki Koike, who won a Grammy yesterday in the Best Boxed or Special Limited Edition Package category (that’s the one Maria was nominated in last year) for “What It Is! Funky Soul And Rare Grooves (1967-1977).” Congrats, Masaki!

Highlights from the show: Seeing Tina Turner still strut her stuff, with Beyonce, was very cool. Kayne West’s tribute to his mother elicited a few tears from Maria. Amy Winehouse was great… but live via satellite, so the electricity wasn’t felt in the room. Alicia Keys is a natural. Morris Day from The Time hasn’t aged a bit; would have loved to have seen more of their reunion. I was hoping for more from the Cirque du Soleil/”Across the Universe” Beatles tribute. That Herbie Hancock-led orchestral performance of “Rhapsody in Blue” sounded great in the Staples Center… too bad that song will forever remind me of United Airlines. And Jason Bateman is a fantastic ad-libber.

USA Today Agrees: Maria Wuz Robbed!

February 13, 2007

Cheers to USA Today music blogger Ken Barnes, who had this to say about Maria’s Grammy category:

The Chili Peppers’ most undeserved win was in the Boxed or Special Limited Edition Package category. If you’ve seen either the Gothic Box or (especially) the amazing One Kiss Can Lead to Another girl-group anthology, you’d have to wonder how anything else was even in the running.

Agreed!

One More Grammy Post: The After-Party

February 13, 2007

Maria and I ducked out of the Grammys early (we had seen the performances we’d wanted to see, like the Police, Gnarls Barkley and Mary J. Blige) in order to hit the Warner Music Group after-party before the crowd crunch.

Indeed, when we arrived at the old St. Vibiana’s Cathedral — now just known as the Cathedral — the place was just starting to get hopping. And because Maria was a nominee, we were immediately shuttled inside — no waiting! Indeed, being nominated has its privileges.

Once inside, we marveled at the restoration of what was once the center of the L.A. Archdiocese. Can you believe the church wanted to tear down St. Vibiana’s?! Thankfully, the L.A. Conservancy stepped in and the building was saved. There’s no doubt what this building once was — above, check out the confessionals.

More views from inside the Warner Music Group party. Among notables spotted in the crowd: Scarlett Johansson, Dangermouse from Gnarls Barkley and Quentin Tarantino.

The event also included a gospel choir (above, sticking with the Cathedral theme, natch) performing contemporary songs, including this year’s nominated singles.

Food passed around included Kobe beef burgers, crab cakes, skirt steak with wasabi mashed potatoes, ahi tuna on rice crackers… and our favorite, above: Fried donuts covered in powdered sugar. Ohsogood.

It’s not sacriligious if it’s no longer a church. Above, I confess my sins.

And Maria does the same.

Some of the great details from St. Vibiana’s is still there. I never got a chance to see it as a cathedral; the 1994 Northridge earthquake had shut the place down by the time I arrived in Los Angeles in 1996. Built in 1876, St. Vibiana’s is surprisingly small — but obviously perfectly fit the tiny Los Angeles of the time. The city had obviously outgrown the cathedral a century later. A compromise by the city swapped land near the 101 (now the home of the new Cathedral) in exchange for St. Vibiana’s (which the Archdiocese was starting to tear down). Tom Gilmore now operates the site, which has been touted as a new community arts center. More details here.

The front of St. Vibiana’s, as the Warner Music Group Grammy party begins.

[Updated with some corrections and new info.]

"It’s An Honor Just To Have Been Nominated"

February 12, 2007

That’s what you’re supposed to say, right?

And indeed, it was quite an honor for Franklin Avenue’s very own Grammy nominee, Maria.

I, for one, am beyond proud of Maria. And if Evan/Blogger Toddler were old enough to understand, I’m sure he’d be full of pride for his mommy as well. (That’s Maria and me, above, at the Los Angeles Convention Center, where the Pre-Telecast awards — nearly 100 different categories! — were passed out.)

It’s been a career highlight for Maria to be recognized for her hard work in designing the Rhino box set “One Kiss Can Lead to Another: Girl Group Sounds Lost and Found.” Leading up to the Grammys, Maria and her work were recognized by several magazines, which raved about the set’s hat box-style design. Then came the nomination, and this weekend’s Grammy events.

I really thought Maria was going to wind up on stage this afternoon accepting the Grammy. But I also worried about the real wild card among this year’s nominees in the Best Boxed or Special Limited Edition Package category: The Red Hot Chili Peppers. (Above, the nominees in Maria’s category flash up on the screen during the Grammy Pre-Telecast).

The Red Hot Chili Peppers members Flea, John Frusciante, Anthony Kiedis and Chad Smith were all listed as art directors on their “Stadium Arcadium,” and therefore up for the award in Maria’s category. Would voters, unfamiliar with most of the names in the category, wind up picking the one group of names that they did know?

Apparently, yes. Star power won out, and “Stadium Arcadium” picked up the award for Best Boxed or Special Limited Edition Package.

Rhino Entertainment was actually nominated twice in the category — the also-excellent “A Life Less Lived: The Gothic Box” was also up for the Grammy. Above, the Rhino designers celebrate their non-victories.

I reminded Maria and her co-workers that Grammy doesn’t always get it right: Witness the coronation in the late 1980s of Milli Vanilli as best new artist. (Granted, they later had to return their award). I also came up with an idea that I should pitch the Recording Academy: The non-winners suite. If you don’t win, you oughta be directed to a special lounge where the booze is flowing freely and the party is hopping. And if you win a trophy, you’re denied entrance.

I’d been to the Grammys before, but never as the date of a real-life nominee. To actually experience what it’s like to be apart of an awards show — the adrenaline, the excitement, the recognition — was awesome. And I wasn’t even the one nominated! It was obviously even more exhilirating for Maria.

Maria spent the morning getting her hair and makeup done, followed by putting on the new dress she had purchased during the holidays at the BCBG store at the Citadel. (In the meantime, I dropped Evan off with the sitter and bought Maria some good luck flowers.) Then it was time to test out the shoes (the black ones won out). After that, we hopped on the freeway and sped downtown.

The Pre-Telecast runs from 1:30 to 3:30, and it moves fast. We weren’t sure when Maria’s category was going to be announced; but just to be safe, we opted for the first decent parking lot we found — and at $20, it was (gasp) a steal. (Another lot down the street was charging $50; later, when I headed back to drop something off in the car, I noticed our own lot had jacked up their price to $30).

We treked to the Convention Center, and discovered that Maria’s category was fourth — fourth! After a quick introduction from Recording Academy leaders, hosts Steve Vai and Miss Universe Zuleyka Mendoza began handing out the awards. After Maria’s category was announced, we went back out into the lobby, managed to grab some wine and food right before the bar closed, and proceeded to hang out and people watch.

After a while, we decided to head over to the Staples Center. We got there early enough to stake out our seats and relax. At 5 p.m. sharp, The Police were officially reunited on stage (Sting’s gotta work on those high “Roxanne” notes) and the Grammy telecast had begun.

Highlights: Gnarls Barkley, dressed as pilots, handling a reworked version of “Crazy.” Mary J. Blige, belting out the sound as always. Prince, walking on stage unannounced and introducing Beyonce with just three words. And more.

Later, we drove over to the old St. Vibiana’s cathedral for the Warner Music Group party. Stay tuned for more pics from that event.

And one more time, congrats to Maria. When you think about the sheer number of CD box sets (anything with more than one disc) that are released every year, it’s already quite a feat to wind up as one of five projects competing for the Grammy Award. Like I told her, let’s do this again next year!

It’s Been a Big Grammy Weekend for Our Own Nominee, Maria

February 11, 2007

Above, Maria shows off her Grammy Nominee medallion at last night’s nominee reception.

The event, held at the Wilshire Ebell, is one of the highlights for the nominees. There’s a energy to the crowd, made up of Grammy noms and their guests, as pictures are taken, food and drink are consumed, musicians perform and strangers with medallions around their neck excitedly talk to other strangers with medallions around their neck (a popular question: “What are you nominated for?”)

We wound up talking for a while to someone nominated in the Best Children’s Album category. We ran into Daniel Ho — the Hawaiian musician and record label owner, up for another Hawaiian Music Grammy. The sightings were all over the map: “Weird Al” Yankovic passed right by us, as did Joan Baez.


Maria gets her portrait taken

Maria’s category — Best Boxed or Special Limited Edition Package — will be awarded sometime during the pre-show ceremony (where most of the 108 categories are handed out) at the Los Angeles Convention Center between 1:30 p.m. and 3:30 p.m. We’ll then swing across the street to the Staples Center for the big telecast, which this year kicks off with the much-hyped reunion of The Police.

Here’s what Maria’s up against:

Keep your fingers crossed! I think Maria’s got a good shot. As you may remember, her “Girl Groups Sounds: Lost and Found” box set has earned several sweet notices since being released at the beginning of last year; including this mention in Print magazine:

Aloha, Grammy

February 9, 2007

This week’s Hawaiian Eye radio show takes a look at the five nominees for Best Hawaiian Music Album.

It’s only the third year that the Grammy Awards has recognized the vibrant Hawaiian music scene. Last year’s winner, Daniel Ho (who produced the compilation “Masters of Hawaiian Slack Key Guitar), joins me on this week’s show to talk about the award and play live in studio.

Ho is up for another award this year (having produced the compilation “Legends of Hawaiian Slack Key Guitar — Live from Maui), along with Amy Hanaiali’i (“Generation Hawai’i”), Ledward Ka’apana (“Grandmaster Slack Key Guitar”), Henry Kapono (“The Wild Hawaiian”) and the various artists compilation “Hawaiian Slack Key Kings.”

Click below to hear this week’s Hawaiian Eye, including tracks from all five CDs and my interview with Daniel Ho.

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Speaking of the Grammys, stay tuned this weekend for Maria’s “Diary of a Grammy Nominee”!

Aloha, Grammy

February 9, 2007

This week’s Hawaiian Eye radio show takes a look at the five nominees for Best Hawaiian Music Album.

It’s only the third year that the Grammy Awards has recognized the vibrant Hawaiian music scene. Last year’s winner, Daniel Ho (who produced the compilation “Masters of Hawaiian Slack Key Guitar), joins me on this week’s show to talk about the award and play live in studio.

Ho is up for another award this year (having produced the compilation “Legends of Hawaiian Slack Key Guitar — Live from Maui), along with Amy Hanaiali’i (“Generation Hawai’i”), Ledward Ka’apana (“Grandmaster Slack Key Guitar”), Henry Kapono (“The Wild Hawaiian”) and the various artists compilation “Hawaiian Slack Key Kings.”

Click below to hear this week’s Hawaiian Eye, including tracks from all five CDs and my interview with Daniel Ho.

http://www.odeo.com/flash/audio_player_standard_gray.swf
powered by ODEO

Speaking of the Grammys, stay tuned this weekend for Maria’s “Diary of a Grammy Nominee”!


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